The effect of gathering two press wheels, one behind another not one on top of the next, can become disconcerting. Or only unpredictable. The same question to Marion Cotillard, Donostia Award, and Penelope Cruz, brand new Venice Cup in the recent Edition of Venice (and last year Donostia award), can shed as a result a fold in the continuous space-time that definitely destroys forever Any possibility of connection between France and Spain.
Asked by the culture and by his country, Marion Cotillard did not take a second to take the tricolor flag convinced that in France the cinema is part of the DNA and that the State, all of him regardless of who send, is there to support his people. When the same question fell on this side of the Pyrenees, wrinkles began to emerge in the gestures. In Spain, said Penelope Cruz, "Recognition of actors and culture goes through waves". And he pointed out for that of respecting the trails of the gardens: "In the street I receive a lot of love and respect and that is so always, it is as if people knew you and I knew them, but then ...", and in The suspensive points left the mohin that preceded a new point: "Sometimes it is forgotten that there are many families who live from this profession and forget that this profession does not make it only three or four privileged as me. What happens to me It is not normal, I remember it constantly. And that also has to be taken into account because it is a profession that needs support. "
What has been said, two press wheels one after another can do Boom!
To place ourselves, what Penelope Cruz, Antonio Banderas and Óscar Martínez, seconded via the Gastón Duprat and Mariano Cohn directors, presented was the film 'official competition' released nothing in Venice. Since in the Lido, Penelope Cruz completed his particular 'Grand Slam' of cinematography for the impeccable and huge work of her in 'parallel mothers', by Pedro Almodóvar, everything combed. Marion with Cruz and Cotillard with Penelope.Updated Date: 21 September 2021, 06:56