pictures of pictures, this time real, exactly 512 aluminum framed photographs, hoards Jörg Sasse also equal to the input in his "memory II" by 2010. The accurate archive exudes the cool brilliance of a minimalist object, and takes conceivable a variety of subject groups. Some of them hang on the wall as the mini-series "holiday" and "facades": the expression of a stressed laconic Domination of the world by means of serial photography, as taught in the "düsseldorf school" of Bernd and Hilla Becher, here, however, provided with dry irony.
the exhibition in the presence of
hundreds of images, in turn, the group show on the history of photography in the Rhine and Ruhr gathered, since Otto 1959 Steinert at the Essen Folkwang school in the first photography class at a University in the Federal Republic of Germany had taken over. The flow of the exhibition reaches back behind the current debate, where a new Institute for the Genre will be located in Essen or in Düsseldorf? As a plea for a location, it can also be read as little as as a navel-gazing of the photo city of Düsseldorf, as it almost twenty years ago, the review "was edited from today up to now". But then?
For the plurality of positions in "similarities and Differences" and "part clearly comprehensible, such as on the other hand, loose links" in the Region, and the Foreword by Dana Bergmann, Ralph Goertz and Gregor Jansen. On "stringent mappings" of schools, places, Chronologies, the curators wanted to avoid and put more on "associative Interplay". In order to allow pit himself all the freedom between the smorgasbord and the Fund. One suspects, as the list of Artists grew up in the preparation and grew, until it was closed at 107 photographers.Updated Date: 26 June 2020, 15:19