It’s supposed to be easy this year: La La Land dances away with Oscar’s gold. That’s what most of the pundits, oddsmakers and advance kudos say.
Damien Chazelle’s romantic ode to Hollywood movies and musicals is indeed the film to beat at Sunday’s 89th Academy Awards, with a record-tying 14 nominations to its name. The last two films to have 14 noms, Titanic (1997) and All About Eve (1950), both took Best Picture along with numerous other Oscars.
But these two movies triumphed in years when a simple majority of votes could win Best Picture. The preferential ballot now employed for this category means that second, third and subsequent choices also factor in. This means challengers like Moonlight and Arrival, with eight nominations apiece, could snatch the top gold away from La La Land.
And we can’t rule out a come-from-behind win by the crowd-pleasing Hidden Figures, currently the domestic box-officer leader among the nine Best Picture nominees, which also include Manchester by the Sea, Hacksaw Ridge, Lion, Fences and Hell or High Water.
There are also potential upsets in store for other categories. Here’s my annual will/could/should predictions for Oscar night:
Will:La La Land or Moonlight
Why: The safe money is supposedly on La La Land to win, but I consider this category too close to call. Moonlight’s unique coming-of-age story has so much resonance to modern times, I’m thinking — hoping — that the Academy will go for it. And Hidden Figures just might surprise everybody, much like Spotlight did last year.
Will: Barry Jenkins, Moonlight, orDamien Chazelle, La La Land
Could: Denis Villeneuve, Arrival
Should: Barry Jenkins
Why: Best Director and Best Picture were historically awarded in lockstep, but recent times have changed that unofficial tradition. If voters go La La Land for Best Picture, then I think they’ll choose Jenkins for Best Director, which would significantly make him the first African-American director to win this honour. And if they choose Moonlight for Best Picture, then Chazelle for Best Director. Of course, they might go in an entirely different direction and choose Canada’s Villeneuve, for his sci-fi wonder Arrival.
Will: Emma Stone, La La Land
Could: Natalie Portman, Jackie or Isabelle Huppert, Elle
Should: Natalie Portman, Jackie
Why: Front-runnerStone is all set to be the belle of the Oscars with her enchanting performance playing an aspiring Hollywood actress. But the inner fortitude Portman displayed as the widowed Jacqueline Kennedy impressed me more. Huppert is long overdue for an Oscar and a win is both possible and deserved.There’s a wealth of riches in this category: Ruth Negga (Loving) and Meryl Streep (Florence Foster Jenkins) would also be worthy winners.
Will: Casey Affleck, Manchester by the Sea
Could: Denzel Washington, Fences
Should: Casey Affleck, Manchester by the Sea
Why: Affleck and Washington each play tortured souls in their respective roles of defeated family men. Affleck’s performance was bone deep and truly memorable; Washington’s was solid yet showy. But Denzel is a two-time Oscar champ and he won at SAG this year, so this may be a Casey at the Bat story — and you know what happened to that other Casey.
Best Supporting Actress
Will: Viola Davis, Fences
Could: Michelle Williams, Manchester by the Sea
Should: Naomie Harris, Moonlight
Why: This is the easiest Oscar to call and the toughest to endorse. Davis will win for her tremendous performance as the stoic wife in Fences, although it’s arguably category fraud: she really should be up for Best Actress.
Williams defines strong support with her brief Manchester scenes, including one showstopper that breaks all hearts. But Harris exceeds all stereotypes and invites empathy with her moving portrayal of a junkie mom in Moonlight.
Best Supporting Actor
Will: Mahershala Ali, Moonlight
Could: Jeff Bridges, Hell or High Water
Should: Mahershala Ali
Why: Ali has been the obvious choice here ever since he first wowed audiences at TIFF and other fall festivals with his deeply affecting and stereotype-busting portrayal of a fatherly drug dealer in Moonlight. It will be a huge upset if he loses — but if he does, the prize would likely go to Jeff Bridges for his wily lawman character of Hell or High Water.
Best Original Screenplay
Will: Manchester by the Sea
Could: La La Land
Should: Manchester by the Sea
Why: Voters often bestow this as a consolation prize to films they aren’t choosing for Best Picture, so Manchesterby the Sea may win for that reason. More than this, though, writer/director Kenneth Lonergan truly deserves recognition for finding a beating heart within the depths of tragedy and despair, and also some welcome notes of comedy. La La Land wins here only if voters are completely besotted by the film, which they may be.
Best Adapted Screenplay
Why: How do you find poetry in a crime-infested and crack-ridden Miami neighbourhood? Writer/director Barry Jenkins shows how with Moonlight, only his second film, which he adapted from an unproduced play by Tarell Alvin McCraney. Moonlight is heavily favoured to win, but it would be no shame if Eric Heisserer’s dramatic and impactful adaption of Ted Chiang’s cerebral short story for Story of Your Life took the prize for Arrival.
And the rest …
Our editors found this article on this site using Google and regenerated it for our readers.
Publish Date : 23 Şubat 2017 Perşembe 18:49
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