Imanol Arias: Once you retire, it does not matter what you are José Luis López Vázquez or Agapito García, you are nothing

Everything in the life of Imanol and Jon Arias is vertebrate over the family. The shared surname has already satellings that they are father and son, the Alcá

Imanol Arias: Once you retire, it does not matter what you are José Luis López Vázquez or Agapito García, you are nothing

Everything in the life of Imanol and Jon Arias is vertebrate over the family. The shared surname has already satellings that they are father and son, the Alcántara family joined them for several chapters in Tell me and now the paternalic relationship reaches the stage with the death of a traveler. In that entanglement of the lines of the Arias, the work of Arthur Miller, which since September 30 is represented at the Infanta Isabel theater in Madrid, still has a last turn: Grandpa.

One of the memories that Imanol takes out from his father is an ironing suit hanging from a hanger on a chair like a galen at night during his stage as a traveler. "But it had nothing to do with Willy Loman," he says about the patriarch that he embodies, a failure with a fanatic devotion to succeed. A role that is dying from the image that Jon has of his father in real life. "He has always been above by admiration, but since a very teenager he opened a space to talk to him from you, with 13 or 14, that adults and other relatives did not give me."

"I have been a father that I have never left them even if I was not all the time. I guess somehow I will have made people suffer when they discover that 100% of my attention is always occupied somewhere secret by my love for the trade that permeates everything, "provides imanol away from the toxicity of Arthur Miller's characters, Unable to show appreciation or even father to son and vice versa. "That is the challenge, working a very different father-son relationship, they were educated in not cutting myself in wanting and showing it. We have had few problems in life and we have always solved everything talking, "he complements Jon.

But some have been and have not always been resolved with communication: how to kill the father and mother (pastor vega), two stars from the acting of recent decades. First came "a forward escape" at 18 who ended up in 10 years as Frontman de Layabouts before reaching 30 and reflecting on taking advantage of the future in a co-etched vocation. «Being a son of my parents and getting to study interpretation was a little false fear that I had 18 years old, everyone had information about me before I met and that does not put you in a position of equality, I had the need for Define myself, that nobody defined me, try, ask me why I could not do what I liked and pay me the floor, "Ahonda Jon

- How much benefit or injury did you get from those parents into professional?

- It gives you and takes you away, there is always going to be who put my work in doubt, but with 18 years I was worried and now no longer. What I did notice in castings when it was beginning is that they opened doors for the morbid of seeing the son of two great actors, but the magnifying glass was immense and was compared with one of the best actors in the country. It is complicated to face it.

And, here, the father of the family intervenes: "With Jon since very young I never had the temptation that he followed my path or imitated me, nor to tell him false secrets of the trade. I always dreamed that he did something, he likes the show a lot and he had to explore all the slopes of him. He is seen that he is a musician when he acts and that he is actor when he sings. "

It is not Jon the only one who has taken Relay of Imanol, his little brother, Diego, with 19 years old has also found his gap in Tell me. "I tried not to interfere but suddenly I have a saga and a curse. I have a godson and is also actor, a goddaughter and is a dancer, that nobody asks him to be apadrine unless he wants to get into this, "says Imanol, who now with his children next door begins to see the end of an almost unabbarous race and that It could be summarized, being somewhat unfair, as the perfect gallant in its beginnings and the Father of Spain (Antonio Alcántara) in these last compass.

-How close see that is the end, imanol?

-One of the reasons that it will be almost free of day free until March for rolling and doing theater has to do with that I have age to retire and I do not do it because I continue enjoying. When you are going to retire, the name and rank stop having a terrible importance and it is curious that in this profession once you withdraw it as well as you are José Luis López Vázquez or Agapito García, you are nothing. I'm going to take advantage before I want to make me less things, start being interesting, doing what you want, that allows me age.

While glimpse the end of an infinite career on the stage and as a main face of one of the most longevable series of television, in the background it continues to appear the shadow of the judgment waiting at the national audience for alleged fiscal fraud.

- Revolving the communication, why do you always look for ellipsis when you talk about the problem with hacienda in public? Do you also do so?

-That problem is so long that I am bored already, I only ask for answers. He may have served me to elaborate a theory of at what moment we are experiencing, why at that moment with the actors, the previous Canon, people who appeared with masks when we were going to the Goya, with expected clothes. I do not know who paid that, but someone who owed us money.

Already. And Jon nor flashes.

Updated Date: 21 September 2021, 05:34

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