Tammy Faye Bakker was in the 70s and 80 one of the best-known figures in the United States. And she was about to invent, in her way, the teleperiality. Since his program of evangelical religion she turned her house, her life and her eyelashes in an emblem and, in passing, in the perfect image of a whole country. And so until she fell into disgrace because of guilty, fundamentally, the financial expolions and the sexual ravages of her husband. It almost a decade ago that the character pursues as an obsession with Jessica Chastain (Sacramento, 1977). Up to now. The eyes of Tammy Faye, directed by Michael Showalter and newly presented in San Sebastián, convert the work of the actress that comes from brandish in Venice the series secrets of an event at a time at an event and in a firm declaration of principles against that called sexism. After two nominations to the Oscar, she is already playing.